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HOT ! Nathan Altmann, Die Löwen, 1923, Paper

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Detailed information on Nathan Altmann, Die Löwen, 1923, Paper


The print, titled \"Die Löwen\" (The Lions), by Nathan Altman is a compelling work in black and white lithography set …
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The print, titled \"Die Löwen\" (The Lions), by Nathan Altman is a compelling work in black and white lithography set against a burnished gold background. This specific print comes from a limited edition series titled \"Jüdische Graphik\" (Jewish Graphics), published in Berlin in 1923 by \"Petropolis.\" Only 250 copies of this series were produced, making each surviving piece a rare collector\'s item. Nathan Altman was an influential figure in the Russian and Soviet avant-garde movement. Born in 1889 in Vinnytsia, Ukraine, he studied at the Odessa Art School, later moving to Paris to further his education at the Academie de la Grande Chaumiere. Altman\'s style evolved over the years, showing strong influences from Cubism and Futurism, which are evident in his approach to stage design and book illustration as well. \"Die Löwen\" reflects Altman\'s skill in using stark contrasts and geometric abstraction, characteristics common to Cubism. This work likely carries symbolic meanings, perhaps reflecting themes of power, resilience, or Jewish heritage, which are expressed through the stylized, powerful imagery of the lions. The choice of a gold background not only highlights the figures but also adds a regal or sacred connotation, elevating the subjects in a manner that may tie back to historical or cultural significance within Jewish art. Altman\'s contributions extend beyond visual arts; he was also notable for his set designs for Jewish theaters in Petrograd and Moscow, bringing a modernist touch to traditional themes. His work remains a significant part of the Russian avant-garde legacy, influencing not only art but also the cultural interpretation and representation of Jewish identity in early 20th-century Russia.
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  • Nathan Altmann, Die Löwen, 1923, Paper
  • Nathan Altmann, Die Löwen, 1923, Paper

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